Archive for the ‘Back Issue’ Category

Bicycle Seat Cover

Thursday, May 20th, 2010

Yes, it’s spring and we are trying to save the planet but does it have to be so uncomfortable? Are you sick of sitting on that soggy bicycle seat every time it rains?  Care to add some flair? Us too, actually we encourage it. Make this easy bicycle seat cover in minutes.

What you need:

Waterproof material

Paper

Marker

Scissors

Elastic

Sewing Machine.

Here’s what to do:

1. Draw an outline of your bicycle seat lay out and re-draw add two inches for the seats thickness.

2. Fold in half to make sure both sides are even and cut allowing for extra space as seen in photo (about another inch).

3. Place pattern on waterproof material and cut.

4. Sew the elastic pulling it as you sew along to create a rouching affect.

5. Sew additional pieces of elastic that will act as the straps to keep your bicycle’s raincap on.

6. Slip on and you’re protected. No pun intended.

1. Trace

2. Adjust and cut pattern

3. Cut fabric.

4. Sew on Elastic

5. Add elastic straps

6. Et voila. Pretty protection.

Thunderhorse Vintage

Monday, May 3rd, 2010

“We love being able to collect, display, and arrange our findings, the Holy Grail of past eras— the 1940s umbrella with Lucite handle, amazing men’s ’70s salmon pink Levis Sta-Prest pants, Blade Runner Italian leather moto jackets, or the Slimer Flouride and MCHammer Toothpaste that came from local Kepi Ghoulie during Groovie Ghoulies tours and travels.”

What happened to vintage? Everywhere you look, vintage shops are closing shop for good, while Value Village thinks it’s acceptable to charge $8.99 for a misshapen, pilled t-shirt. At least we can count on Marilyn and Jen Ares to carry the vintage torch by tending to the flame at Thunderhouse Vintage, the heart of Sacramento’s subculture. The Ares sisters— identical twins who have recently been living separate lives as Jen continues her graduate work in feminist ethnographic studies in New York— are the founders of this quaint treasure chest of a shop.

After graduating in 2008, from UC Davis with majors in Women Studies, Marilyn and Jen knew that a regular 9-5 wouldn’t work for them, so they took their compulsive collecting of jewelry, clothing, videos, records and trinkets and turned it into a business. Jen started a small vintage outlet in the back of another store, but it grew quickly and successfully soon requiring it’s own space. “Jen and I decided to combine forces and that force is now Thunderhorse Vintage,” smiles Marilyn.

“It was a bleak future,” explains Jen referring to the prospect of ten dollars an hour for casual employment. “Especially in a recession, that had to be resisted because the lack of creative expression and freedom would just be soul crushing.”

Besides providing a place where customers can find everything from original 1980s silver biker rings, 1930s cocktail dresses and sleazy thrash enamel pins, the cultural mission statement behind the store is what makes Thunderhorse different from the rest.

“Seeing the flight of ambitious, artistic, unique kids to the Bay Area, up north to Oregon and Washington, makes us wonder how much radder Sacramento would be if people had stayed,” explains Jen. “If some sort of visible, recognizable, community could be built if only resources were pooled.” Since San Fransisco, Los Angeles and Portland are no more than six hours away, most creatives on the outs tend to leave for bigger, better places. Marilyn and Jen were determined to keep a place to represent the other side of normal, a symbol that subculture still exists amongst the “18 million fucking frozen yogurt shops” that nestle between the wine bars and family homes.

“Unemployment is at a reported 13%,” says Marilyn, flicking her neon pink hair out of her face. “There are no jobs for young kids and certainly no jobs for people who look like me.”

“If you’re dedicated to creating culture, and not just consuming and exploiting its products, there’s almost an intrinsic level of masochism for any do-it-yourself cultural project like what we’re interested in: With the store, art, and music projects we’re always wondering is there anyone here that gets this, that gets our references, our cultures?”

And the answer is yes, the scene in Sacramento is small, but there are many talented bands, artists and performers emerging out of the alphabetically mapped town: MOM, Ganglians and Marilyn’s band, Verräterisch.

In the store you can find anything from 1930s-1980s clothing staples to obscure punk, new wave and metal records to 1950s mosaic lamps to 1984 Iron Maiden tapestry, to 1970s velvet paintings, motorcycle boots to disco shoes. The walls are covered with art and posters, there is a coffee table cluttered with ancient zines and art books, plus a changing area that looks like something from rock n’ roll Barbie’s playhouse. The stereo is always blasting with music— Blank Dogs, Slayer or Modern Creatures are favorites— and most importantly, Marilyn is the shop mascot; chatting with any customer and explaining the precious stories behind each item.

“We could give a fuck what sells,” says Marilyn. “We just hope that someone will fall in love and take something home.”

Employees: Jason, Kimber, Victor, Mitchiko, Lindsey, Carla & MOM.

Where are you located: 2252 J Street, Sacramento, CA

Some brands you carry: Vintage only!

Nearby lunch spots: Sugar Plum Vegan Café, La Fiesta Tacoria, Louigie’s Pizza

Andrea Wan: Start to Finish

Monday, April 19th, 2010

Andrea Wan, Self-portrait

Observing people on the bus, admiring ugly store signs, or looking down alleyways—these are the things Vancouver-based artist Andrea Wan spends her time doing. That, and eating Pho, the Vietnamese noodle soup, and of course drawing, her medium of choice.

Born in Hong Kong and raised in Vancouver, BC, where she still resides, Andrea misses Europe, where she studied last year. After graduating from Emily Carr University of Art and Design with a Bachelor in Film, Video and Integrated Media, Andrea continued her studies at Designskolen Kolding in Denmark, taking illustration and design courses. Andrea uses a lot of humans, animals, cityscapes and muted colors in her work—achieved through watercolors, pencils and ink. A lot of her drawings have a subtext that she doesn’t usually plan out in advance, like her X illustration featured on our new cover, which shows two hands knitting people together. Andrea’s drawings have appeared in magazines like Nylon, on t-shirts and as tea light holders.

Through her education, Andrea has learned to see projects through from beginning to end. We’re sure this emerging artist will see her career through the same way. And whenever Andrea starts drawing an illustration, she always finishes, literally “drawing” loose ends together.

Andrea Wan, The Hunter


What does a typical day look like for you?

I have a studio space in an artist-run center in Chinatown, where I work most of the time. These days, I’ve been pushing myself to draw for at least 8 hours per day, so I don’t end up wasting my time staring at my laptop. The rest of the time is usually spent on coffee and Pho with my studio-mates.

What inspires you about the city you live in?

I love to explore Vancouver and look for fun places to hang out. I like observing strangers on public transit. I pay attention to alleyways, badly designed store signs, posters and found objects in alleyways—anything random with a story attached.

Do you think you use the skills you learned at school in your work today?

I think one of the most important skills I learned from school was working independently, managing self-directed projects from beginning to end, and that totally applies to what I’m doing right now.

How has formal training helped shape your style?

Formal training has opened me up to a wide range of disciplines and approaches which I didn’t know before, and that’s one of the many things that contributes to shaping my style.



What tools do you use?

A combination of ink, gouche, watercolor, pencil, or Photoshop.

Do you remember drawing as a kid?

I remember one of my first drawings was a big horse with four baby horses running underneath its belly. I also remember doing a series of Waldo-inspired drawings with lots of things happening at the same moment. It was a lot of fun.

Scans of Andrea Wan’s sketchbook


A lot of your drawings have an underlining text. Is this something you plan out before?

I am pretty spontaneous when I draw. Most of my personal drawings are like short visual poems—a collage of whimsical but personal images that conveys my feeling at that specific moment. Once I come up with an idea, I immediately draw it down, sometimes without a sketch, and finish the drawing at once.

Besides being given the assignment, how does your process differ when you work for more commercial clients like Nylon, than when you’re creating for yourself?

When I’m illustrating for a client, I often come up with a list of key words associated with the main idea, and then I think of images that represent those words. I’d show the client a couple of sketches before deciding on one for the final illustration.

Andrea Wan’s Studio


Do you like being in shows?

I consider myself a baby in the art world. When I was a student, I was never ready to show my work in public. I’m actually having my first ever group show this month and I’m pretty stoked about it!

Who are some of your favorite up and coming artists?

There are way too many—but I’m a big fan of Brecht Evens and Micah Lidberg.

Do you create in other mediums besides drawing?

I had experimented with different mediums such as film, animation, painting and collage while I was in school. Two years ago, I wrote and directed an animated short as my grad project. I want do more of those when I have time.

Andrea Wan, Fairytales

You recently joined Twitter, why?

I joined Twitter out of curiosity and realized it is a good tool for self-promotion and keeping up with the latest happenings.

Who are some of your favorite bands?

My Bloody Valentine, The Cure, Radiohead, Beach House, The Beatles—I can go on forever.

Andrea Wan, Portraits

Are you an introvert or extrovert?

Introvert.

What can we expect coming up from you?

I’m working on some new illustrations at the moment. One thing I really want to do this year is to collaborate with others on fun projects. We’ll see how it goes.

Where’s your heart at?

My heart is at Europe after traveling and studying there last year. I can’t wait to go back to visit all my friends or to stay for a longer period of time, if possible.

Issue #8 Cover

Monday, April 19th, 2010

Jeff Staple: Things You Didn’t Know

Sunday, March 28th, 2010

Photos: John Roman
Interview: Hana May

Jeff Staple, or as he prefers it, jeffstaple, is an internationally known, universally respected graphic designer and entrepreneur. Equally handy with his left brain as his right brain, Jeff designed a sticker exclusively for hearty to correspond with this release. The hearty magazine x Jeff Staple “This is not a T-Shirt” sticker is finally available. Pick up one up at Jeff’s store Reed Space in LES, NY. Or get one online here.

When one of Jeff Staple’s Twitter followers regretfully informed him he had hit a pigeon with his car, Jeff had something to say on the matter. “Thats ok. Hell isnt as bad as they say,” Jeff said via Twitter. He was joking (we hope) but Jeff has an undeniably strong connection with his feathered friends—pigeons seem to exist somewhere between muse and mascot for Jeff. So he’s put pigeons on various shoes, cameras, hats, and even a mini fridge. The same way Ralph Lauren has polo ponies, Jeff has pigeons.

Jeff got into the streetwear business the same way a lot of people did. Working as a designer, he made a couple shirts, someone saw them, loved them and things exploded. But Jeff honed his career in a different direction than most. Yes, he still designs Staple apparel including graphic tees and cut and sew collections, but Jeff is also very involved in the business of retail. He runs the Reed Space in the Lower East side of New York, which includes the neighboring Reed Space Annex–host to a variety of pop-up shops, most recently the Mighty Healthy pop-up shop; he also runs Reed Space in Japan (currently being relocated), as well as an upcoming temporary Reed Space shop on a warm island (Think getting lei’d!). As well, Jeff has fostered a variety of fruitful relationships, such as coordinating Timberland for Supreme collaboration. To top it all off, Jeff still offers design and creative services. Designer meets businessman.

Not surprisingly, many have wanted to know how Jeff has become successful–what it takes and who the man is behind all of it. In our interview with Jeff we talk about “maintaining” your left and right brain, the over usage of this x this culture, and the popularity of clean aesthetics. A native New Yorker, Jeff comments that, “Everyone looks like a lumberjack and every store has taxidermy in it now. This is NYC. Someone needs to get jacked to remind people this ain’t Amish Country.” And yes, we talk about the pigeons.

So even though, there have been countless of interviews with Jeff Staple, there are still some things you don’t know about Jeff. (So much that we got him to list an additional 10 little-unknown facts about himself.) You may know the release of his Nike Pigeon Dunks caused a huge commotion outside of Reed Space in New York, including the cops showing up (no one was hurt), you may know that he is a very well read individual, that he values education, that he’s known worldwide, but you may not know that his last name is actually not Staple.

Do you think most people know Staple is not your last name?

No. Most people are confused at why an Asian man has a last name like Staple.

It’s not my last name. My last name is “Ng.” I make no bones about hiding it. It’s right on my business card. But people like Jeff Staple. I prefer “jeffstaple”—all lower case, no spaces.

The saying is, people are either good with their left brain or right brain. Being a designer and a businessman, you seem to have conquered both. How do you do this? Does it cause problems for you?

[Laughs.] Conquering is a funny term for it and I completely disagree. It’s more like “barely maintaining some semblance of order.” I admit, I’m more business-oriented than most designers. And I’m much more creative than most business people. I can’t think of any problems it causes. It’s mostly a blessing.

Do you have to neglect one side or the other at certain times?

Yes, well timed neglect is key. At certain meetings, its important to put a gag ball inside the mouth of the creative. And other times, it’s not about the numbers adding up. Sometimes, it just has to be done.

Collaborations are starting to gain a presence in mainstream culture. Is it being overdone? Do you think people are starting to get sick of collaborations?

It’s totally overdone. I don’t think people are sick of good collaborations. So it’s important that the collaboration has to make sense for both parties involved.

Looks have been trimmed down to a more basic and clean aesthetic. Where do you think it will go after this? Or is this clean simple aesthetic here to stay permanently?

I can almost guarantee it’s not here to stay. Personally, I’m already going back to a more relaxed, um, ‘urban’ look. Everyone looks like a lumberjack and every store has taxidermy in it now. This is NYC. Someone needs to get jacked to remind people this ain’t Amish Country.

Do you ever get sick of talking about pigeons?

I don’t know, does Ralph get sick of talking about horses?

The popularity of collecting sneakers isn’t what it once was. Do you think sneaker collections will always have worth?

Worth, like beauty is in the eye of the beholder. A sneaker, will have worth to someone. Somewhere. Maybe the frenzy of sneaker culture will subside, but there was a core subculture before and there will be one later. And likely, it’ll be a little bigger than it was before.


Owning a store you see firsthand what products sell. Who are some female brands that do streetwear well?

Hellz Bellz, Mademe, Bijules, Rabbit on the Run.

Where do you see the female industry going?

Upward and growing steadily. I think it’s very exciting. At the end of the day, ladies look a lot better in streetwear than dudes do. Or at least I think so.

What are some of your favorite female brands?

I love what Hellz is doing. They are doing major things as a brand—not as a female brand. But just as a brand in general. The fact that they are a female brand makes it that much cooler.

Why do you think most of the culture continues to be a big “guy fest”?

Isn’t the whole world a big guy fest? Government, Politics, Sports, Religion, Food. I’m not saying it’s right, but it’s the unfortunate truth. Why would street culture be different?

I know you read a lot of magazines, newspapers, websites, what are your favorites?

Mags: Wired, Monocle, New York, Wallpaper, Reed Pages…

Newspaper: Sunday Times. Only.

Websites: Wouldn’t you like to see what’s in my RSS feed…

If you hadn’t made that initial run of shirts and you weren’t doing what you do today, what would you be doing?

Without a doubt: Teaching.

I think I heard somewhere that you are a guy that likes to eat. What’s your favorite kind of food?

I like lots of different kinds, but I can rarely go wrong with Japanese.

What have been your favorite restaurants/spots to eat around the world?

Tokyo has the best restaurant culture in the world hands down. You can eat in a 7-Eleven there and have an awesome meal for $5. You can also have 1 sack of blowfish sperm for $70.

What’s your favorite city to travel to?

Tokyo. It’s my second home. It’s an inspiring and calming environment. I also manage to be very productive in Tokyo. I usually take 7 days trips there, and in that 1 week, I accomplish more than a month’s worth in NYC.

What advice would you give to young entrepreneurs?

Don’t dip your toe in. Jump right in. The water’s fine.

What’s coming up?

We’re previewing our Staple Fall 2010 Collection and starting to work on Spring 2011 at the same time. The next issue of Reed Pages is coming out soon. Working on a pop-up temporary Reed Space shop in Hawaii. Hmm, that’s all I can process now.

Where’s your heart at?

Jeddah.

Heather Martin of Mono

Monday, March 15th, 2010

Photos by: Michelle Ford

Heather Martin in the woman behind Mono Clothing, a growing design label based out of Vancouver, B.C. Heather–who prides herself on creating both hand-made delicacies and locally manufactured minimalist staples–not only founded and runs MONO clothing, but has collaborated with Lifetime Collective, Douglas Coupland and Yumi Eto.

Heather Martin could teach us a thing or too. And not just because she is a high school drop out turned college professor. (We want to enroll in her classes.) But because she runs her own successful and growing clothing line, Mono (which you might recognize from our The Cover Story shoot with Fan Death).

Born in the United Kingdom, Heather migrated to Toronto when she was four years old. Dropping out of high school, she headed west to Vancouver. While supporting herself by waiting tables, Heather was given an old sewing machine. She started revamping vintage clothes and soon progressed to making original pieces. Her boyfriend, encouraged her to go back to school for design.

“I had never really been to school before,” Heather explains shyly. “And I certainly never thought I would go back, but when I did all these door opened up. It’s like a blanket, right? You can do anything under the security of being in school.”

Heather now teaches four classes at the college she once attended, Textiles, Garment Construction for Graduate Students, Introduction to Fashion Design and a studio class.

Mono is an extension of Heather–a parade of strong, controlled yet minimalist silhouettes. Her somewhat unisex collections are always themed: “Interlacing Opposing Thoughts,” the quest for a happy medium between dark and light using hand-made lace, “Shard,” delving into the darker, heavier garments made of leather and cotton and “Flight,” a whimsical, light and airy interpretation. Her goal is to “explore the spaces between art, craft, design and fashion aiming to redefine the categorical convention of these genres.” Or clothing for creative professionals, of which she has many loyal buyers.

“I like simplicity,” Heather confirms. “Style is more important than actual clothing. The way someone puts something together is way more interesting than the item itself. Clothing, for me, is quite functional. It has to be comfortable and unique.”

Heather is soft-spoken. She locks her eyes to yours and exudes an organic, quiet energy so unique that, at first, you can barely understand what it is. After talking with her about her upbringing, her visions and her company, you realize that it’s simply confidence. It’s just the right kind of confidence, never boisterous.

Besides her clothing collections, which are sold in select boutiques through out North America (Eugene Choo in Vancouver, Stand Up Comedy in Portland, Assembly in New York City) and the UK, Heather is working on new challenges like film and instillation. She has two upcoming film projects-one with Gene Doe and the other with Todd Duym–which will be released this month, an instillation that premieres on March 11th at the Shaw Gallery in Toronto curated by 01// Magazine and another at Vancouver’s Collage Collage shop.

“It’s really hard to express exactly how you want something to be, especially when you are working visually. You don’t want to take something that already exists and say ‘do it like this’ that’s boring.” Needless to say, Heather has found her way around the issue of “boring.”

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