Archive for the ‘Issue 4’ Category

Mary Meyer

Wednesday, September 9th, 2009

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Photos by Rory Gunderson
Mary Meyer may originally hail from California, but she’s what we like to call a New York triple threat. In Hollywood a triple threat can sing, dance and act. But Hollywood is the land of Heidi Fleiss, lunchtime-Botox and DUIs–a far cry from Mary’s new home of Brooklyn. In New York, the thrice-threatening are designers, activists and patrons of the arts, like Come Up Mary Meyer.
Mary graduated from the California College of Arts in Oakland with a degree in painting, although she also polished skills such as printmaking, weaving, dying and even welding. Used to working with textiles in her artistic training, Mary found making her own clothes came naturally. Things started small; she sold her pieces to friends, then branching out to a few stores in Oakland. After planting herself in Brooklyn and working diligently on her craft, Mary Meyer Clothing is now worldwide and can be found everywhere from New York taste-maker Oak to Clever Alice in Philadelphia, as well as a slew of Barneys. Mary never let go of her formal artistic training, she just found a new way to channel it. “[Designing clothing] turned into something super organic and logical. I mean, art is a struggle. When you’re twenty-two, it’s a lot harder to find people in your peer group who will buy your art, but they will buy your clothes.”
Mary laughs as she tells me that it took her a while to actually consider herself a true designer. “I didn’t feel as though I was giving my whole self with clothes because in my head, I was still ‘an artist’. But then, there was also something really appealing with the directness of clothing. Everyone collects clothes, not everyone collects art. I liked the universality of it.”
Mary is not only an artist at heart, but an artist with a very big heart, hence threat #2: Activist. Aside from Mary Meyer Clothing, she is the co-founder of nonprofit, after-school project Step Right Up, which gives Lower East Side 5th graders extensive lessons in design, theatre, art and writing. The project was hatched a few years ago through collaboration between Mary and her close friend Bonnie Pipkin, the nonprofit’s co-founder. Step Right Up is now in its third year running, for several weeks, children produce a complete theatre production: They write their own scripts, create costumes and sets, then rehearse and perform the final product. In the beginning, the program was funded by parties that Mary threw in her live-in studio home. Local bands would play in the dinning room, while the living room became a gallery space.
According to Mary, the goal of these parties is to expose local bands and artists (threat #3: patron of the arts). During our chat she raves about Brooklyn youngsters, Your Nature and The Wild Yaks. She insists that fund-raising “is not sterile,” and anyone who has wandered into a party at the Mary Meyer Art House can certainly verify.
“I love online press,” Mary cooes. “I’m glad we’re doing this. I mean, I’m talking about some band on a website and all the reader has to do is click. It’s an amazing promotional tool.” Triple-threat guys. A veritable New York breed of triple threat. Suck it, Fleiss. Mary Meyer may originally hail from California, but she’s what we like to call a New York triple threat. In Hollywood a triple threat can sing, dance and act. But Hollywood is the land of Heidi Fleiss, lunchtime-Botox and DUIs–a far cry from Mary’s new home of Brooklyn. In New York, the thrice-threatening are designers, activists and patrons of the arts, like Come Up Mary Meyer.

Mary Meyer may originally hail from California, but she’s what we like to call a New York triple threat. In Hollywood a triple threat can sing, dance and act. But Hollywood is the land of Heidi Fleiss, lunchtime-Botox and DUIs–a far cry from Mary’s new home of Brooklyn. In New York, the thrice-threatening are designers, activists and patrons of the arts, like Come Up Mary Meyer.

Mary graduated from the California College of Arts in Oakland with a degree in painting, although she also polished skills such as printmaking, weaving, dying and even welding. Used to working with textiles in her artistic training, Mary found making her own clothes came naturally. Things started small; she sold her pieces to friends, then branching out to a few stores in Oakland. After planting herself in Brooklyn and working diligently on her craft, Mary Meyer Clothing is now worldwide and can be found everywhere from New York taste-maker Oak to Clever Alice in Philadelphia, as well as a slew of Barneys. Mary never let go of her formal artistic training, she just found a new way to channel it. “[Designing clothing] turned into something super organic and logical. I mean, art is a struggle. When you’re twenty-two, it’s a lot harder to find people in your peer group who will buy your art, but they will buy your clothes.”

Mary laughs as she reveals that it took her a while to actually consider herself a true designer. “I didn’t feel as though I was giving my whole self with clothes because in my head, I was still ‘an artist’. But then, there was also something really appealing with the directness of clothing. Everyone collects clothes, not everyone collects art. I liked the universality of it.”

Mary is not only an artist at heart, but an artist with a very big heart, hence threat #2: Activist. Aside from Mary Meyer Clothing, she is the co-founder of nonprofit, after-school project Step Right Up, which gives Lower East Side 5th graders extensive lessons in design, theatre, art and writing. The project was hatched a few years ago through collaboration between Mary and her close friend Bonnie Pipkin, the nonprofit’s co-founder. Step Right Up is now in its third year running, for several weeks, children produce a complete theatre production: They write their own scripts, create costumes and sets, then rehearse and perform the final product. In the beginning, the program was funded by parties that Mary threw in her live-in studio home. Local bands would play in the dinning room, while the living room became a gallery space.

According to Mary, the goal of these parties is to expose local bands and artists (threat #3: patron of the arts). During our chat she raves about Brooklyn youngsters, Your Nature and Wild Yaks. She insists that fund-raising “is not sterile,” and anyone who has wandered into a party at the Mary Meyer Art House can certainly verify.

“I love online press,” Mary cooes. “I’m glad we’re doing this. I mean, I’m talking about some band on a website and all the reader has to do is click. It’s an amazing promotional tool.” There you have it, triple-threat. A veritable New York breed of triple threat. Suck it Hollywood.

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Mary is throwing a Auction/Rock Show Fundraiser to expand to another school for Step Right Up at The Mary Meyer Art House on October 3rd, 2009. Bands featured are Necking, The Nasties, Brass Cups (members of AIDS Wolf & Islands) and Rocko Lives It (members of Wild Yaks). Also, featuring artists such as Round Designs, Christian Beaujean, Jeremy Davies and many more. Click here for more details on this event.

Silhouette Snips

Sunday, July 12th, 2009

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Eye and hand coordination is not necessary! Follow these instructions below to create your very own silhouette portraits.

Materials for this project:

2 Pieces Paper (different colors)
Photos
Scissors
Pencil
Picture 
Frame

Step One A reason to lurk. Pick through photos of your friends’ or family members to find shapes you like. If you don’t have a box of photos I guarentee you will find ample material online (cough, facebook, cough). If you have a camera and printer you can also ask to photograph your friend’s side profile, which looks very posh and victorian as a completed silhouette. Another option, as long as you don’t mind snipping them up, is to check that pile of magazines in your closet.

Step Two Print your photos if necessary. once you have your material, cut out along the edge of the person(s) or object(s).

Step Three Place your cut out onto the piece of colored paper you have chosen for the silhouette and begin tracing. Be sure to draw lightly and press onto the cut out with your opposite hand so that your lines transfer accurately. When you’re finished and happy with your traced drawing begin cutting on the lines.

Step Four Once your silhouette is ready to be framed, you can begin to aline your artwork. Place the frame face down, line up your silhouette cut out, and lastly lay down your background paper. Close up the frame and your ready to decorate.

Step by step photos!

Gather your materials

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Clip along your friend’s profiles.

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Trace onto the paper you want to use as the silhouette and cut them out.

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Use the frame’s glass or the matting to measure the paper you will use as the background.

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Arrange the pieces in the frame.

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Decorate!

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Issue #4 Cover

Thursday, July 9th, 2009

Three Monkeys: 5 Years of Monkey Business

Thursday, July 9th, 2009

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Photos: Mike Casali

Rare are those who actively seek monkey business. Yet in Montreal, Canada‚Äôs downtown fashion district, or the maze of shops, seedy strip clubs, mobs of tourists and fearless shopping mamas, we find Three Monkeys–a place for fashion and play.

In early 2004, Mike Casali, Arianna Rabinovitch and Paul Desbaillets—all in their twenty-somethings—stopped mumbling about opening a boutique together, took hold of the retail vine, and swung full force ahead. For such an impetuous move, the results are strikingly well-considered: a minimal white space, decorated by a versatile choice of clothing lines. The brightly lit red Three Monkeys logo, serves as a stamp for the space, as well as a warning: Monkeys at play. Setting themselves apart from big box stores, their approach is to seek out product that is original and affordable—offering as much opportunity to local talent as possible, while remaining accessible to all breeds.

Monkeys are social creatures, and these three are no exception. Not only are they famous for wild parties, they also play well with others, collaborating with brands like Marc Jacobs, Insight and WESC. They are also known for their line of exclusive t-shirts and maybe more importantly their leather couches, which cushion the bottoms of boyfriends and parents waiting for their counterparts to try on the goods they will ultimately finance. (Thanks, mom!)

Opening their doors in 2004 with the intention to promote local artists, five years later the monkeys still devote over one third of their space to local and, recently, national designers. Some of the independent designers who have graced their monkey bars include this month‚Äôs Come Up Travis Tadeo, Valerie Dumaine and Lydia Lukidis. After five years of shenanigans, it must be said: We’re ape for Three Monkeys!

These three monkeys have been shaking down trees in their pre-party outfits for the last few months gearing up for Three Monkey’s 5 years in the Montreal fashion jungle, which will surely be bananas. While the monkeys say 5 years around still feels more like 3 minutes, we suspect that the July 18, 5 year celebration will last a tad longer given the telephone game left the following message: “An army of cloned yet finely dressed flying super monkeys will rain down booze, pcp and free t-shirts on the city for one night of passion.” After decoding the message, we think it meant an overwhelming amount of banana eating contests lay in the plans, which consequently may leave some feeling as though they were on pcp. Don’t forget to leave your monkey business at home, there will be plenty there for all.

Name: Three Monkeys

Employees: Yousaf Khurshid, Stephanie Macmillan, Stephanie Creaghan, Masha Sitnikova. The wonder staff.

Location: 1455 Peel St. | Les Cours Mont Royal, Montreal QC

(Some) Brands: Cheap Monday, Lifetime Collective, WESC, Brixton, Insight, Super, Poiner, RVCA, Vans, Travis Taddeo, Valerie Dumaine, Naked & Famous Denim, PF Flyer, Eve Gravel, Sixpack, Anastasia Lomonova, Covet, Rogues Gallery, and more!

Nearby lunch spots: Food Courts galore!

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Producer Black Milk

Thursday, July 9th, 2009

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We heart Black Milk, but above are some pictures he took of things he hearts.

Black Milk served nice and cold.

by: Hana May
images: Gillian Hurd

Black Milk’s job is to combine rap vocals and sound. So we had him create a hip hop sports team for us. Run on over to the gymnasium bulletin board and see who made the starting five, find out who the water boy is and who will be benched!

Producer Black Milk has managed to make his way from the Detroit underground to tour around the world and produce for big names like Busta Rhymes and Slum Village. Yet, when people list their favorite producers, Black Milk isn’t on that list as much as he’d like to be. A self-described producer first, MC second, Black Milk started making music when he was in high school in Detroit. Now 25, it seems like he’s been in the game longer than he has and has gained some serious nods from both hip hop fans and industry authorities. He gleams when he talks about how he’s heard his idol, legend Jay Dilla, rapping over his beats. A young, laid-back dude with an old-school vibe, his production style incorporates electro sounds with a hard bass, suitably repping the Slum Village and Phat Cat circle. In 2007, he released Popular Demand, which earned him the label of ‘next big thing’ and his most recent album, Tronic, received similarly good reviews. But he’s still pushing forward.

Black Milk is currently working on Random Axe, a new hip hop super group, which includes lyrical hard hitters Guilty Simpson and Sean Price. The self-titled album is slated for release for the last quarter of this year.

We chatted with Black Milk about Random Axe, how someone who loves making sound needs some peace and quiet, wanting to work with Eminem, and why some cats aren’t bringing it anymore.

Cookies in hand, new Black Milk is on the way, served nice and cold.

Random Axe came about when you were getting a verse from Sean Price for Guilty Simpson’s album. But you guys have been talking about this project since 2007. You’ve said the album will come out early next year. At this point, do you guys have a date?

We still don’t have an official date. I’m putting the last little tweaks on the mixes and getting the last couple verses from P and Guilt. It’s about 90 per cent done. Hopefully, when I get back, I can have it all finished and ready to turn in by July. By next month, I should be turning it in to Duck Down and hopefully we get it out by the last quarter of this year.

Will the album be titled Random Axe?

Yeah, that’s the name of the group and the name of the album.

You guys have quite strong personalities. There must be some funny stories from the studio.

It’s crazy ‘cause of Sean P. I’m a laid-back dude, Guilty’s kinda laid back, too, but Sean P is such a damn fool, man.

I’ve interviewed him, so I know.

Right. He got all kind of stories about hip hop shit and prison—just nothing but laughs. It’s fun, man. It’s nothing but fun. There’s no tension—it don’t even feel like we’re having competition against each other. On the rhyme tip, everybody just does their thing and gets in their own zone. We making dope music.

Besides the Random Axe project, what else do you have going on?

I’m going to get back on my solo stuff. I don’t have an official title yet, but I’m going to drop a free download with about 13-16 songs with some original music and some of me rhyming over other cats’ beats. I never really did the mixtape thing, I wasn’t feeling that. I’m going to do it on some MC shit so people can hear the bars—my beats overshadow my rhymes a lot of the time. That, plus I’m working on an official project with this R&B singer out of Detroit named Melanie Rutherford.

I actually read that.

Yeah, she was on Tronic, so I’m going to finish that up just to come with a different angle musically. I really haven’t touched that side of the music category—like the R&B. It’s going to be like some dirty boom bap hard beats with some melodic singing over it. That should come out dope.

After that, I’m going to try and focus on my official third album on Phat Beats, so that should probably be dropping next year. Just trying to keep busy and keep dropping music.

What are your studio rituals like? Do you have anything you always need with you?

The main thing I need is I can’t have any distractions. When I go to the studio, I would prefer it to be just me and the engineer. I don’t really like five or six cats in the studio—people talking like, ‘Eh eh eh.’ So that’s the only thing I really need is peace and quiet. I don’t really have rituals; I just do what I do.

You produce and MC. Do you prefer one over the other?

I definitely love the beats and the production over the rhymes. I love creating sound, love hard-hitting drums just smacking through the speakers. Everything about production—I love to go digging for records and finding that new sample that nobody touched yet and crazy shit that make me want to go chop it up in the MPC. Writing 16s—that’s cool. I could do that in 5 or 10 minutes, but the music part—the back drop—is like the most important part of the song, you know what I’m saying?

Personally, who’s been the biggest person you’ve produced for?

Personally, I would have to say Slum Village. ‘Cause everybody know that Dilla was my biggest influence in this music shit here and I was like a fan of their music, the beats, everything. So when I finally got the chance to meet him and work with him, it was like me working damn near with Tribe Called Quest because that’s how much their music affected me. I loved their shit—Fan-Tas-Tic Vol. 1, Fan-Tas-Tic Vol. 2, all that shit. The highlight was working with them and working with J Dilla, getting to hear him spit over a couple of my beats. It was crazy to hear him rapping over that shit today.

Who’s someone you would you like to work with that you haven’t had the chance to yet?

I probably want to get in the studio with Eminem—just to see. He’s back on his MC shit and I’d love to hear Eminem go in on one of my tracks. And probably MF Doom. [Chuckles.]

Robin Cameron

Thursday, July 9th, 2009
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'Spitting into the Wind' Photo Credit: Bobby Kelly.

by: Gillian Damborg

One of Robin Cameron’s large-scale pieces was a giant fabric sculpture that hung from the ceiling at dance party called ‘Your Face is Melting Off’ while kids guzzled cheap beer and danced around aimlessly. By the end of the night the piece was torn to pieces and left shredded on the dirty dance floor. Far from upset, Robin was satisfied to see her piece consumed by such a successful event.

We like a lady with the confidence to try new things, and we see her expanding her tools and styles. Tiny books, fabric sculptures, watercolor illustrations and detailed hand-drawn typography, creative writing, photography—she tries her hand at everything.

Born in 1981 in the Interior of British Columbia, Canada, Robin has shown her work all over the world including Toronto, Seattle, Chicago, Philadelphia, New York, LA and Tokyo. After graduating from the Emily Carr Institute of Art and Design (now an official University), Robin moved to New York where she currently resides.

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Abstract Drawing from 'Ten Postcards in the Key of Life'

Do you miss anything about Vancouver?

Third Beach.

Other than the fact that NY is NY, how has living there expanded your opportunities?

People take you more seriously for some reason. Maybe they know how hard it is to live here–all the people, it’s hot in the summer, cold in the winter, dirty, loud, expensive. But the thing about it is that when you ask this city for something it somehow gives it to you.

What neighborhood are you living in?

Chinatown. 5th floor walk-up.

What’s the best part about New York?

You can be totally anonymous, and alone but somehow be surrounded by people. I like the way I get to move through the city too, walking or biking it feels very connected, way more than in LA. Here you run into people on the street. Also the bookstores and cultural opportunities.

How do you feel about the young artist scene in New York right now?

I like my friends who make art and happen to live here.

Who are some of your favorite up and coming artists?

Lukas Geronimas, Niall McClelland, Shay Semple, Paul Cowan, Asher Penn, Kayla Guthrie, Megan Plunkett, Martine Syms, Arielle DePinto, Leslie Kulesh, Jennifer Sullivan.

How has formal training shaped your style?

I think art school was helpful for giving me a vernacular to really be able to talk about the work and think critically about what I was making. I tend to look at a lot of different sources, so mostly that helped train my eye. But really is just about actually doing the work. Also I would rather think in terms of ideas as opposed to just simply a visual style.

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'Distractions 1-100'

You use a lot of different mediums and outlets for your art, and it seems you are expanding this even more now. Would you consider yourself a multimedia artist? If not, how do you classify yourself?

I think lately I have been thinking about my work fitting into New Genres. Which as a medium it is pretty vague. The idea can take any form, whatever is right for that particular idea, that’s what I really want to play with. I think I work best in a more project based art practice. When people ask me what I do, I usually say I make drawings or books. It’s sort of hard to explain, it’s more of a thing you just have to see. I would like to start to explore video and challenging the idea of what sculpture could be.

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'One Year and Two Months of Feeling Bad About Myself' Photo credit: Bobby Kelly

I remember a piece you did for this party in Vancouver called “Your Face is Melting Off,” it was this dripping group of fabric teardrops hanging from the ceiling in the middle of the dance floor. Really beautiful. Do you enjoy working in large formats or would you say you prefer working in smaller formats, like your books for instance?

That was so long ago! My friend Andrew just threw all these parties, he would have me do something for the space to make it more interesting. So there was no real boundaries, I could do whatever I wanted. I was making these fabric sculptures because I had a studio space on hastings, there was more space to make that kind of larger work. I did another fabric sculpture for this show in Philadelphia a couple of years ago. The thing about those larger works is that I don’t have a lot of room to put them after the show is done. At that party the work was completely ripped apart on the dance floor which was kind of an amazing event in itself. If I can I try to reuse the materials and make something else. Like this stack of Vogue Magazines I turned into a new work. Maybe I will make some more larger sculptures later when I have more space. Going smaller I just finished a miniaturization of my old books that sit on a tiny glass shelf. That work was really fun to figure out how to produce that tiny, like how do you bind books that small and also thinking about making a tiny archive.

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'Your Face is Melting Off' party flyer

What music are you listening to right now?

It fluctuates between the some of most cheesy hip hop, a little bit of old soul and a lot of classic rock.

What books are you reading right now?

I’ve been researching a new project and so I’ve been sort of collecting a whole bunch of self-help books from the seventies. It’s funny to read them because the way they write is all this book will really change your life, but how do they know that? But before that I got Dave Hickey’s Invisible Dragon since it was out of print for a long time. Before that I got this really interesting biography on Duchamp out of the NYPL.


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'Étagère-En-Valise' A Collection of miniature zines, Photo credit: Bobby Kelly

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'All the Emails I've Sent Myself Since I Moved To New York'

Top five female influences in your life?

Louise Bourgeois, Sophie Calle, Annette Messager. And my two favorite Aunts Janice was a puppeteer and Aunt Barbara who used to work as an animator.

Are you an introvert or extrovert?

Definitely introverted, sometimes people think I’m standoffish but I’m really just shy. I used to have my brother order for me in restaurants when I was younger.

What can we expect to see from you next?

More new projects, but I can’t reveal too much just yet.


For more information on Robin Cameron, check out her website at www.rocamm.com
You can also purchase her work at the Mastermind shop www.mmastermind.com/
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